Níl bhíonn in aon rud ach sea

‘Structure No. 1’ relies on a sort of accepted artificiality. What we see is not really what we see – we are looking at a construction. But it is not simply about world-building, it is also about a world- unbuilding. A taking apart and a reassembling where parts don’t fit so neatly together, but can sit together in a unifying tension. An unworlding. A process of transformation happens in the making of the work. It never fully becomes the thing it claims or attempts to picture or show. Nor does it simply remain as material and matter. Something else is happening. A continual becoming.