![Margaret Corcoran, Red Guitar - David Sylvian - Video - Anton Corbijn - After Angus McBean, 2024](https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/kevinkavanagh/images/view/7df63a4e334ac42512a0223fad03b168j/kevinkavanagh-margaret-corcoran-red-guitar-david-sylvian-video-anton-corbijn-after-angus-mcbean-2024.jpg)
Margaret Corcoran
Red Guitar - David Sylvian - Video - Anton Corbijn - After Angus McBean, 2024
Watercolour on Arches Paper
37 x 43.5 cm (framed)
Private collection 'Red Guitar’ is a hauntingly beautiful song - both because of David Sylvian’s unique voice and the collaborations on the 1984 album ‘Brilliant Trees’ - for me especially...
Private collection
'Red Guitar’ is a hauntingly beautiful song - both because of David Sylvian’s unique voice and the collaborations on the 1984 album ‘Brilliant Trees’ - for me especially the collaborations with Ryuichi Sakamoto and Holger Czukay.
I have been amazed by this piece of music since I first heard it - but also the magical experience of this piece of music is the music video by Anton Corbijn. This piece came out in 1984 and back then and in the 1970s the thing was to wait each week to read in depth about the music scene in the NME - Anton Corbijn’s photographs were a massive part of the weekly publication- they were so gorgeous; and also watching Top of the Pops and then in the eighties MTV. This music video was an
homage to the Welsh Surrealist photographer Angus McBean. And that really for me is where the poignant magic and sense of loss comes in. The Surrealist movement was borne from the tremendous losses of World War 1 and the movement’s basis in the magical, the alchemical and the dreamlike. McBean took up these trajectories and explored placing his sitters in fantastical ethereal scenes.
Sylvian and Anton Corbijn had a fascination for the works of Angus McBean and they asked his permission to base the video on his 1938 work - ‘Flora Robson Surrealised’. McBean agreed but the decision also was that he might appear in the video. The entire film is a treatise of youth, age and the beauty of life and art. It is as important and fresh for me as the day that I first saw it. It epitomises all of the artists involved respect for art and creation. It was out of the ordinary in terms of music videos at that point in time.
'Red Guitar’ is a hauntingly beautiful song - both because of David Sylvian’s unique voice and the collaborations on the 1984 album ‘Brilliant Trees’ - for me especially the collaborations with Ryuichi Sakamoto and Holger Czukay.
I have been amazed by this piece of music since I first heard it - but also the magical experience of this piece of music is the music video by Anton Corbijn. This piece came out in 1984 and back then and in the 1970s the thing was to wait each week to read in depth about the music scene in the NME - Anton Corbijn’s photographs were a massive part of the weekly publication- they were so gorgeous; and also watching Top of the Pops and then in the eighties MTV. This music video was an
homage to the Welsh Surrealist photographer Angus McBean. And that really for me is where the poignant magic and sense of loss comes in. The Surrealist movement was borne from the tremendous losses of World War 1 and the movement’s basis in the magical, the alchemical and the dreamlike. McBean took up these trajectories and explored placing his sitters in fantastical ethereal scenes.
Sylvian and Anton Corbijn had a fascination for the works of Angus McBean and they asked his permission to base the video on his 1938 work - ‘Flora Robson Surrealised’. McBean agreed but the decision also was that he might appear in the video. The entire film is a treatise of youth, age and the beauty of life and art. It is as important and fresh for me as the day that I first saw it. It epitomises all of the artists involved respect for art and creation. It was out of the ordinary in terms of music videos at that point in time.